BIO

My practice engages with domestic and public space, identity and authenticity, and the political and aesthetic tensions that emerge between them. Drawing on political movements, subcultures and art history, I create connections between unlikely genres and visual languages. I am particularly interested in aesthetics that have been discarded, revived and repurposed to serve new social and political causes. My work explores whether decorative and ornamental forms can retain a subversive function, or whether their critical potential has been reduced to style.

Working across sculpture, painting, drawing, installation, film, video, photography and public art commissions, my practice explores social and spatial histories through biographical references and appropriations from fine art, vernacular design and subculture. Often situated between sculpture, furniture and décor, the work considers heritage, historicism and the persistence of folk vernaculars in contemporary culture. A recurring concern is the relationship between identity and the built environment, particularly the domestic sphere, where the home and its objects function both as expressions of identity and as surfaces through which the self is continually constructed and revised.

My work frequently draws on the aesthetics of utopian thought, from activism and counterculture to architecture and design. I examine how radical ideals are historicised, distorted and repurposed, tracing the movement of once-progressive visual languages from avant-garde expression to kitsch, ornament and commodity. Through these shifts, I explore the contradictions between the original intentions of an aesthetic and its subsequent appropriation for new, often conflicting, social and political purposes.

CV

Born in Cornwall, England, 1971

Currently lives and works in Cumbria, England

SOLO EXHIBITIONS

2022

Contemporary Art Gallery, Nooks and Corners, Vancouver

2019

Fahrenheit 451 House. Catskills, New York

Monte Clark Gallery, Vancouver

2017

White Columns solo booth, Independent, Brussels

Galerie Levy Delval, Dun Roamin’, Brussels

2016

La Plage, Furniture & Collectibles, Paris

Clint Roesnisch Gallery, Cat Math, Toronto

Komplot, Galerie De La Reine, Brussels

2014

Mélange, Up The Wooden Hill To Bedfordshire, Cologne

Simon Fraser University Art Gallery, Phantoms of A Utopic Will, Vancouver

Burnaby Art Gallery, Like most follies, more than a joke, more than a whim, Vancouver

2013

Blanket/Cologne, Cologne, Germany

2012

Kölnischer Kunstverein (project space), Cologne, Germany

2011

Catriona Jeffries Gallery, Vancouver, British Columbia

2010

Artspeak, Making Beer More Expensive, Vancouver, British Columbia

2007

Catriona Jeffries Gallery, Is Freedom Academic?, Vancouver, British Columbia

Galerie Ritter&Staiff, Frankfurt, Germany

2005

Büro Friedrich, Berlin, Germany

2004

Künstlerhaus Bethanien, Berlin, Germany

Henry Art Gallery, Alex Morrison, University of Washington, Seattle, Washington

Contemporary Art Gallery, Free Room, Vancouver, British Columbia

2003

Catriona Jeffries Gallery, Housewrecker, Vancouver, British Columbia

Frankfurt Kunstverein, Frankfurt, Germany

2000

Mercer Union Gallery, Toronto, Canada

1998

EyeLevel Gallery, Halifax, Nova Scotia

SELECTED GROUP EXHIBITIONS

2025

Town + Country: Narratives of Property and Capital, Morris and Helen Belkin Gallery, Vancouver, British Columbia

2023

Surrey Art Gallery, Through the Lattice, Surrey, British Columbia

2022

Hunt Gallery, A Word For Underfoot The Sun, Toronto

2020

Monte Clark Gallery, September, Vancouver

Somerset House, Mushrooms, London, UK (curated by Francesca Gavin)

Kvalitář Gallery, Abstract Machines, Prague

2019

Laure Genillard Gallery, “Out of Eye”, London, UK

2018

L’inconnue, Body, Montreal (curated by Domenico De Chirico)

Palais Des Beaux Arts Bruxelles, “Somewhere in Between”, Brussels

The Poetics of Space, Nanaimo Art Gallery, Nanaimo, British Columbia

Longevity or Lack Thereof, MacLaren Art Centre, Barrie, Canada

The Poetics of Space, Kamloops Art Gallery, Kamloops, British Columbia

L’idee Normale, Levy Delval Gallery, Brussels, Belgium

2017

LMAK Gallery, Loin Avec Moi, New York, New York

Galerie PCP, Champingons, Paris, France

The Living Room, Magical Wand and Granular Cloud, Antwerp, Belgium (curated by Xavier Mary)

2016

L’inconnue, Hybrid Objects, Montreal

Nanaimo Art Gallery, Trusses, Nanaimo, Canada

The Société, Catherine Vertige Collection, Brussels, (curated by Sonia Dermience)

Central Art Garage, Objectional Practices, Ottawa, Canada

Clint Roenisch Gallery, Cut The World Until It Fits On The Back Of Your Hand, Toronto

2015

Stopping The Sun In It’s Course, Francois Ghebaly Gallery, Los Angeles

The Poetics of Space, Vancouver Art Gallery, Vancouver, Canada

2014

Blue Times, Kunsthalle Wien, Vienna

Be Mysterious, Walter Phillips Gallery, Banff

Cindy Sherman meets Dzunuk’wa, Belkin Satellite Gallery, Vancouver

2013

Ein ahnungsloser Traum vom Park, Museum Abteiberg, Mönchengladbach, Germany

Full Frontal, Belkin Satellite Gallery, Vancouver, Canada

2012

Material Information, Museum Industrie, Bergen, Norway (curated by Juan Gaitan)

Through A Glass, Darkly, Vancouver Art Gallery, Canada

2011

Melanchotopia, Witte de With, Rotterdam

Domestic Lives:Works from the Permanent Collection, Surrey Art Gallery, Canada

Cul de Sac, Varley Art Gallery, Markham, Ontario

2010

Contemporary Art Gallery, Following a Line, Vancouver, British Columbia

National Gallery of Canada, It Is What It Is, Ottawa, Ontario

17th Sydney Biennale, Sydney, Australia, curated by David Elliot

2009

Musée d'art Contemporain de Montréal, Cubes, Blocks and Other Spaces, Montreal, Quebec

Trinity Square Video, Bred In At Least Modest Comfort, curated by Jean-Paul Kelly, Toronto

Catriona Jeffries Gallery, Loaded, Vancouver

Hannover Kunstverein, Getting Even

Oppositions + Dialogues in Contemporary Art, curated by Matt Packer, Hannover, Germany

2008

Lewis Glucksman Gallery, Getting Even

Oppositions + Dialogues in Contemporary Art, curated by Matt Packer, Cork, Ireland

Morris and Helen Belkin Art Gallery, Exponential Future, curated by Scott Watson and Juan Gaitán,

Vancouver

Burnaby Art Gallery, Our Changing Landscape: Perspectives on and Interpretations of British

Columbia (series III), Burnaby, British Columbia

Art Gallery of Alberta, Generation, curated by Catherine Crowston, Edmonton, Alberta

2007

European Kunsthalle, Modelle für Morgen: Köln, Köln, Germany

2006

The Open Eye Club, Totally P.C., Glasgow International, Glasgow, Scotland

Royal College of Art, Again for Tomorrow, London, UK

Schirn Kunsthalle Frankfurt, Die Jugend von heute/Youth of Today, Frankfurt, Germany

Kunsthaus Kaufbeuren, Unheimlich Jung, Kaufbeuren, Germany

Witte de With, Street: Behind the Cliché, Rotterdam, The Netherlands

2005

Edmonton Art Gallery, Re: Building the World, Edmonton, Alberta

Confederation Centre Art Gallery, Curb Appeal, Charlottetown, Prince Edward Island

White Columns, Post No Bills, New York, New York (curated by Matthew Higgs)

Catriona Jeffries Gallery, Mix With Care, Vancouver, British Columbia

Musée d'art contemporain de Montréal, Projections, Montréal

Städtische Galerie Waldkraiburg,Unheimlich Jung, Waldkraiburg, Germany

Kunsthaus Kaufbeuren, Unheimlich Jung, Kaufbeuren, Germany

2004

Champion Fine Art, #15, New York, New York curated by Mai-Thu Perret

Palm Beach Institute of Contemporary Art, I feel mysterious today, Lake Worth, Florida

2003

Aspex, Homemade, Portsmouth, UK

Vancouver Art Gallery, Drawing the World: Masters to Hipsters, Vancouver, British Columbia

Platform Garanti Contemporary Art Center, Making Space, curated by November Paynter, Beyoglu,

Istanbul

Platform Gallery, Group of Seven, London, England

2002

Nylon Gallery, Geometers, London, UK

Los Angeles Contemporary Exhibitions, Das Spyder Män, Los Angeles, California

Catriona Jeffries Gallery, Signage, Vancouver, British Columbia

Contemporary Art Gallery, Satan Oscillate My Metallic Sonatas, curated by Reid Shier, Vancouver

2001

Tracy Lawrence Gallery, A Drawing Show, Vancouver, British Columbia

Charles H. Scott Gallery, Surround, Vancouver, British Columbia

Kabinett Gallerie, Mobile Homes, Bern, Switzerland

John Hansard Gallery, Liminal/ Minimal/ Nominal.Architectural Traces, Southampton, UK

Vancouver Art Gallery, These Days, Vancouver, British Columbia

2000

Henry Moore Institute, Belvedere, Leeds, UK

1999

Platform Gallery, From Memory, London, UK

SELECTED MONOGRAPHS / EXHIBITION CATALOGUES / PRESS

2015

Alex Morrison: Like Most Follies More Than A Joke And More Than A Whim, catalogue co-

published in Vancouver by The Burnaby Art Gallery and SFU Art Gallery, essay by Andrew Berardini,

interview by Denise Ryner

2012

Janssen, Renske ‘Alex Morrison: My House Is My World’, Freize Magazine online

Esperanza, Rosales “Melanchotopia” Frieze, January/February 2012: 145-146

2009

Connolly, Maeve “Getting Even: Oppositions + Dialogues in Contemporary Art”, Art Monthly,

February 09, No. 323

2008

Juan A. Gaitàn, Exponential Future, Morris and Helen Belkin Art Gallery, Vancouver

Anthony Kiendl, ‘Informal Architectures: Space in Contemporary Culture,’ Informal Architectures:

Space in Contemporary Culture, Black Dog Publishing , London: 829

Jerry Zaslove, ‘Silence, Counterfeit and Aesthetic Act in Alex Morrison’s Vision of ‘Academic

Freedom as Academic’ – Installations of the Phantoms of a Utopian Will,’ Anthology of Exhibition

Essays 2006/2007, CJ Press, Vancouver

2007

Lorch, Catrin. “Models for Tomorrow,” frieze June-July-August 2007, p. 258. January 11, 2003

2006

Max Hollein and Matthias Ulrich (eds.), Die Jugend von heute/Youth of Today, Verlag de

Buchhandlung Walther Koenig, Cologne

2005

Lars Bang Larsen and Jeff Derksen Alex Morrison: Giving the Story a Treatment, Lukas & Sternberg,

New York

Dominic Molon, ‘Mysteriously Yours…’, I Feel Mysterious Today, Palm Beach Institute of

Contemporary Art, 2005

Nielsen, Henrikke. “Alex Morrison; Buro Friedrich”, Flash Art, Vol. XXXVIII, No.243, July-

September 2005, p.130

Wallace, Ian. “The Frontier of the Avant-Garde”, Intertidal: Vancouver Art and Artists. Muhka,

Antwerp and Morris and Helen Belkin Art Gallery, Vancouver, 2005. 51-62.

2004

Heather, Rosemary. “Skateboard Modernism”, Canadian Art, Winter 2004, Vol.21. No. 4, p.42-47

Augaitis, Daina. “For the Record: Drawing Contemporary Life”, For the Record: Drawing

Contemporary Life, exhibition catalogue, Vancouver Art Gallery, Vancouver, 2003

Hierholzer, Michael. “Mit dem Skateboard durch die Wohnung”, Frankfurter Allgemeine Zeitung, 12

October, 2003

2003

Anthony Kiendl, Godzilla vs. Skateboarders, Skateboarding as a Critique of Social Spaces. Dunlop

Art Gallery, Regina, 2003

2002

Buck, Luisa. “London, Contemporary gallery shows”, The Art Newspaper, No. 122, February 2002

Currah, Mark. “Geometers”, Time Out, p. 48, January 23-30, 2002

Kitamura, Katie. “Geometers”, Contemporary, March 2002 (photo)

Meyers, Holly. “Turning Impulses into Works of Art”, Los Angeles Times, August 16, 2001

2001

Milroy, Sarah. “Masters of the Art”, The Globe and Mail, Saturday, December 1, 2001

Schlup, Murielle. “Mobile Home als Lebensstil”, Berner Woche , # 160, July 18 2001

2000

Diviney, David. Space Invaders, exhibition companion, Mercer Union, July 2000

Schultz, Deborah. “Belvedere”, Art Monthly, April 2000, issue 235(photo)

Taylor, John Russell. “ The Big Show-Belvedere”, Times. ‘Metro’, 5-11 Feb 2000

1999

Kent, Sarah. “From Memory”, Time Out: London's Living Guide, July 21-28 1999 no. 1509(photo)

PUBLIC COLLECTIONS

Museum Abteiberg, Mönchengladbach, Germany

National Gallery of Canada

Art Gallery of Ontario

Musée d'Art Contemporain de Montréal

Vancouver Art Gallery

Burnaby Art Gallery

Art Gallery of Surrey, Canada

Helen Belkin Gallery, Vancouver

Zabludowicz Collection, London

Julia Stoschek Collection, Düsseldorf

EDUCATION

1992-1993 Victoria College of Art, Victoria, British Columbia, Canada

1994-1995 Ontario College of Art, Toronto, Ontario, Canada

1995-1996 Ontario College of Art, Off-Campus Study Program, Florence, Italy

1998-2000 Nova Scotia College of Art and Design, Halifax, Canada

2012-2013 Düsseldorf Kunst Akademie, Klasse Lucy Mckenzie, Germany

RESIDENCIES

2025 Glenfiddich, Artist in Residence, Dufftown, Scotland

2018 Bonnie McCombe Kreye Residency, Victoria, British Columbia

2013 Embassy of Foreign Artists, Geneva, Switzerland

2003 Kunstlerhaus Bethanien, Berlin, Germany